Untold Stories Revealed in Song
Amy
Carol Webb co-headlines last Focus concert of the season.
By Greg Wyshynski, The
Connection Newspapers
June 7, 2007
Where & When
The final Focus
Music concert for the spring is scheduled for
Sunday, June 10 at 7 p.m. at Church of the
Resurrection, 2280 North Beauregard St. in
Alexandria. The show features singer/songwriters
Deidre McCalla and Amy Carol Webb. Tickets: $15
general, $12 members. For Focus info call
703-380-3151 or visit www.focusmusic.org.

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Amy Carol Webb
loves that moment when she’s performing live, that flash of
camaraderie she witnesses in an attentive audience. "The
thing that happens in the room when we realize that we’re
not all that different from each other," she said. "The
differences are in the details, but we’re all rowing the
same boat."
Focus Music, a non-profit organization dedicated to bringing
folk and acoustic music to the regional masses, has helped
facilitate concert settings that allow artists like Webb to
connect with their audiences in a personal way.
"These venues are created by people that are as inventive as
the artists they’re created for," she said. "They’re
passionate about it, they keep us alive, and we are so
grateful for it."
Webb joins singer/songwriter Deidre McCalla for the final
Focus Music show of the season on Sunday, June 10 at 7 p.m.
at Church of the Resurrection, 2280 North Beauregard St. in
Alexandria. Tickets are $15 general, $12 members; more
information about the show and Focus can be found by calling
703-380-3151 or visiting www.focusmusic.org. Katy Coyte of
Focus said the folk music promoters will take the summer off
after this show.
WEBB GREW UP in what could be called a living musical with
her family. "Music was breathing in our house. I didn’t know
that people weren’t singing all of the time until I got to
college," she said.
The Miami Springs, Fla. resident started playing guitar at
age 11, played gigs by age 14 and has been touring on and
off through her recent 50th birthday. He voice has been
compared to that of Janis Ian and Carole King; her music
combines the poetry of her life experiences with a keen ear
for the details of other people’s lives.
"I play power folk that focuses on the triumph of the human
spirit," said Webb. "I think it’s our privilege and
responsibility as artists to tell the stories that maybe
other people haven’t been able to tell for themselves yet.
There are people who do amazing things every day for the
course of their lives, and those stories don’t always get
told. The way our media and news systems work, we tend to
focus on the things that people do that are of a lesser
human nature. I think artists have a responsibility to shine
the light on people that are doing amazing things with their
lives."
Shining that light becomes easier, she said, when
organizations like Focus Music are able to craft concerts
that accentuate the qualities of her art.
"This is a particular kind of interactive listening music,
and it takes a certain kind of venue for it to really
shine," she said. "That doesn’t always work in clubs where
there’s a lot of other stuff going on. It’s very old
fashioned, where people turn their own home spaces and
particular haunts into places where the music can come
alive. It’s almost an underground kind of concept."
JOINING WEBB is Deidre McCalla, a veteran folk artist who
got her start in New York City and has shared stages with
the likes of Tracy Chapman and Suzanne Vega. An eclectic
artist who also blends country and pop into her music, she
now lives outside of Atlanta and is the co-founder of Family
Pride of the South, an organization for lesbian, gay,
bisexual and transgender families.
Herb Cooper-Levy of Focus Music said both Webb and McCalla
are acts that, in the past, would have been at home in some
of the more prominent concert venues in the area. "These are
all national touring acts that, back when The Birchmere was
smaller, would have played The Birchmere. But now that it’s
about two-and-a-half times the size it used to be, the acts
can’t fill that space so we stepped in to fill the void."
Webb said the combination of McCalla and the Focus Music
support system makes this a show she’s excited about. "This
is a group of people that have really come together to
support the community of music in that area. I’m really
excited to get to work with them, and I love Deidre McCalla,"
she said.
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Short
feature with two photos. Focus Inn Presents Vic’s Music Corner will
welcome Jonathan Byrd and Karen Mal at 8 p.m. next Wednesday, Jan. 24, in
O’Brien’s Barbecue, 387 East Gude Drive, Rockville.
Part of
"Hot Tickets" column, short piece on Dust Poets
Live!
Who: Susan Greenbaum, Michelle
Swan
When: 7 p.m. Sunday
Where: Church of the
Resurrection, Alexandria
Thursday, October 12, 2006; Page
VA05
Washington Post, Arlington Section
If you're a
fan of acoustic guitar, thoughtful lyrics and a classic folk vibe, the
Focus Inn music series is for you. The nonprofit group presents
concerts in Rockville on alternating Wednesdays and monthly Sunday
shows in Alexandria. (For a full schedule, visit
http://www.focusmusic.org
.) This Sunday's show is a double bill of female performers, each with
expressive original songs.
Michelle Swan has been singing
in the Washington area for
15 years.
Susan Greenbaum is a
native of Kansas City who moved to Richmond from Boston in 1996. Two
years later, she began performing full time -- a radical change from
her previous life as a corporate executive. She has released three
independent CDs and been a finalist in a handful of songwriting
competitions, including the John Lennon Songwriting Contest and the
Mid-Atlantic Song Contest, where her material scored the grand prize.
In the early days of
online music, Greenbaum's songs were downloaded more than 180,000
times and were frequently in the top 10 of the acoustic rock and pop
charts, according to her press kit.
Greenbaum and her band
won a national online competition -- chosen by industry pros and more
than 100,000 online voters -- to be the opening act for Jewel. She
toured briefly with the singer in 2003 and has shared stages with Jill
Sobule, Kenny Loggins, Patty Griffin, Dar Williams, Todd Snider and
Catie Curtis. Check her out at
http://www.susangreenbaum.com
.
Opening the show is
Michelle Swan, a 15-year veteran of Washington area coffeehouse and
open-mike shows. Swan has numerous Washington Area Music Association
award nominations to her credit and was a finalist in the 2001
Mid-Atlantic Song Contest. She cites such writers as Lucinda Williams
and Cheryl Wheeler as influences, but you may also hear a bit of the
Indigo Girls' upbeat, country-tinged style in her music. You can find
out more about her at
http://www.michelleswan.com .
-- MARIANNE MEYER
The Church of the
Resurrection is at 2280 N. Beauregard St. Tickets are $15 for general
admission, $12 for Focus members. For more information about
membership, call 703-380-3151 or visithttp://www.focusmusic.org.
School of blues: Scott Ainslie at Vic’s
Music Corner
Wednesday, Sept. 20, 2006
by Chris Slattery
Staff
Writer
Photo courtesy of Steve Whitsit
Blues conduit: Scott Ainslie keeps the legends alive
with a blues performance on Wednesday, Sept. 27, courtesy
of Focus Inn presents Vic’s Music Corner.
A funny thing happened to Scott Ainslie in 1967 — and it
has very little to
do with the hippie hijinks one might associate with the
Summer of Love.
‘‘I saw John Jackson,” the Virginia-raised, Vermont-based
blues musician
explains. ‘‘He was a grave digger and blues performer who
died four years
ago — he was an unannounced guest at (old-time folk
musician) Mike Seeger’s concert at Groveton High School.”
Ainslie was 15 then, a fan of the folk and pop music of
the day — until
‘‘Jackson got up and played guitar in way I had never
imagined.”
A month later Ainslie started playing guitar, too. And for
nearly 40 years
now, he has been studying and playing not just blues but
traditional
American folk-roots music and gospel, going to the source
to visit and
document old-time banjo and fiddle players, writing books
and giving
lectures on the origins of the music we call the blues.
Next Wednesday,
Sept. 27, he’ll perform in Rockville as part of Focus Inn
presents Vic’s
Music Corner.
‘‘I’m sort of an authority on Robert Johnson,” Ainslie
explains. The
Virginia blues icon died in 1938, but he inspired English
rock and rollers
from Robert Plant and Jimmy Paige to the Rolling Stones
and Eric Clapton,
who took Johnson’s ‘‘Crossroads” to the charts.
Why did the blues have to cross the pond to England before
hitting it big at
home in the states?
‘‘There was a great deal less segregation in the music
business in England,”
he says. ‘‘Our allegiance [as musicians] is to the sound,
not the color. But
in the music ‘business,’ there was segregation. There was
such an effort
being put into keeping black and white apart in this
country.”
Before the Civil Rights movement brought reform, the
founding fathers of the
blues were reduced to playing what Ainslie calls the
chitlin’ circuit. Now
they are celebrated — especially when Ainslie’s the one
with the guitar and
the microphone.
Heritage
Once the blues bug bit, Ainslie was hooked. He graduated
Phi Beta Kappa from Washington & Lee University with an
independent degree in music theory. On the way, he spent
time with all the elderly West Virginia musicians his
banjo-picking geology professor Odell McGuire could drum
up.
‘‘Here were these huge chunks of American musical
tradition in the bodies of
these 80-year-old banjo and fiddle players,” Ainslie
marvels. ‘‘When one of
those [men)] dies, we lose a part of our musical
heritage.”
Not on his watch. Ainslie has parlayed his wide-ranging
musical background
into a career that pays homage to the past. There are four
CDs, a teaching
DVD on Johnson’s guitar techniques and a book called
‘‘Robert Johnson⁄At The Crossroads” (Hal Leonard, 1992).
‘‘I do talk about the history of the music, the African
traditions embedded
in American popular music that we almost don’t notice,” he
says.
Without lecturing — he promises — Ainslie’s objective is
to trace the blues
to its musical origins in Africa, through the American
experience that
shaped it and into the future.
That’s why he teaches as well as tours: in schools near
his Brattleboro
home, at the Kennedy Center, at the University of North
Carolina and in
Belfast, Northern Ireland. Ever true to his own Civil
Rights roots, Ainslie’s
biggest hit so far is single about Ghandi, nonviolent
protest and civil
disobedience, big — really — in Serbia and Israel.
Most important are his performances. Ainslie promises ‘‘a
marvelously
entertaining and pain-free introduction to the blues.”
It’s an eclectic career for a student of the blues who
wants to pass along
the lessons he has learned.
‘‘I don’t look on education as a sort of penance one does
to walk away with
a five- or six-figure income,” says Ainslie. ‘‘I’ve never
been a ‘money
person,’” he adds — and laughs. ‘‘Otherwise I wouldn’t be
a blues
guitarist.”
Scott Ainslie will perform at 8 p.m. Wednesday, Sept. 27,
at 8 p.m. at Focus
Inn presents Vic’s Music Corner at O’Brien’s Barbecue, 387
East Gude Drive, Rockville. Tickets are $15, $12 for Focus
members. Call 301-275-7459 or visit www.focusmusic.org.
Copyright © 2006 The Gazette
http://www.gazette.net/stories/092006/entemus143141_31948.shtml
February 26, 2004
Celtic Band Tinsmith Entertains in Mt. Rainier
By Breda Lund
Prince George's Post
The Celtic sound of a mandolin meshed perfectly with the twang of a banjo when local folk rock band Tinsmith ruled the stage Friday night at Joe's Movement Emporium in Mount Rainier.
Tinsmith, named for the roaming groups of tinsmiths that kept the Celtic music tradition alive, played a selection of traditional Irish folk songs with modern music and American folk alterations.
The band formed in 1998 when the three original members-Rowan Corbett, John McLoughlin, and Brooke Parkhurst-met at a Renaissance Festival in Atlanta. McLoughlin has since left the group, and a new member, Avril Smith, recently joined. She also plays electric guitar for a band called Zeala.
The band members are skilled with a number of different instruments, and they use their diverse musical backgrounds to weave a unique sound, or "strange brew" as Corbett called it.
Tinsmith opened with a lively Irish tune, "Star of the County Down," with Corbett on guitar, Parkhurst singing and playing the Irish whistle, and Smith strumming a mandolin.
Throughout the night they switched instruments; Parkhurst wowed the audience with her banjo skills, Corbett played different kinds of percussion, and Smith showed her mastery of everything stringed.
Kim Buchanan, a soulful singer/songwriter from rural North Carolina opened for Tinsmith. Formerly the singer for a heavy metal band, she started writing music after she married and had children.
She described herself as "a singer/songwriter with an edge," then laughed and added, "Or standing on the edge."
The audience was howling when she played the song she wrote about the dress code enforced at her teenage daughters' school, and was captivated when she performed a powerful rendition of Grace Slick's "White Rabbit."
The show was organized by Focus, a D.C. area folk organization and affiliate of the North American Folk Music and Dance Alliance, Inc. The non-profit group is run entirely by its members and other volunteers.
"Some are musicians, but everyone loves music," Rachel Cross, musician, member and venue manager, said.
Focus puts on a show once a month at each of their two venues: Joe's Movement Emporium in Mount Rainier and the Church of the Resurrection in Alexandria, Va. The shows usually feature one local and one out-of-town folk group or singer/songwriter.
The organization's ultimate goal is to create a cooperatively-run, fulltime venue for folk music in the D.C. area, similar to Godfrey Daniels in Bethlehem, Pa. and Club Passim in Cambridge, Mass.
http://www.tinsmith.net
http://www.kimbuchanan.com
http://www.focusmusic.org
http://folkfan.blogspot.com
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